Escoffier's ices, carried from the salt-and-ice barrel to a home freezer. The chapter opens on the two operations that decide every one of them, the making of the preparation and the freezing, and it is the freezing that actually decides the thing. Then the cream ices, one custard of yolks, sugar, and milk running under all of them, told apart only by what is infused into it: almonds sweet and bitter, filberts torrified, coffee crushed fresh, chocolate, walnut, pistachio, pralin, tea, vanilla. Asparagus too, which sounds like a joke and is not. Then the fruit ices, built on syrup at 32 degrees instead of cream: apricot, pineapple, banana, cherry with its stones pounded in, lemon, strawberry, raspberry, red-currant, tangerine, melon, orange, peach, pear, plum, grape, and violet petals steeped in boiling syrup. Then the liqueur ices, and then the composed glaces, a mould clothed with one ice and filled with another: Alhambra, Carmen, Comtesse Marie, Dora with its Bar-le-Duc currants, Étoile du Berger on a disc of spun sugar, and the tangerines hollowed, refilled, and frosted inside their own skins. Four things decide the lot: a custard stirred to the veil of a spoon and never boiled, lemon juice in every fruit ice so the fruit tastes of itself, the freezer worked without pause so the ice sets creamy instead of grainy, and every layer frozen firm before the next goes in. The original assumed broken ice by the barrow, rock salt, saltpetre, and a commis to turn the handle; a churn does that work now, and a bowl beaten hard every half hour will do it without one. C'est la même grammaire. À table!
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