
Chef Juliette
Gnochi au Gratin
Walnut-size Parisian pâte à choux dumplings rise in the poaching pot, then settle beneath glossy Mornay and Parmesan until their edges are bronzed and their centers answer the finger with a spring.
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Created by Chef Juliette
Based on No. 2289, Macaroni à la Napolitaine, from Le Guide Culinaire (1907) by Auguste Escoffier
Thick macaroni, butter, cheese, and a red-wine tomato estouffade cooked down until beef and sauce become one: a generous French timbale whose patient reduction is the whole dish.
Macaroni à la Napolitaine (French macaroni layered with beef, tomato, wine, and cheese) teaches reduction. The one true thing to know before touching a pan is that the long reduction isn't preparation for the sauce. It is the sauce. Beef, red wine, and tomato must cook until their separate edges disappear into an estouffade (slow-cooked beef braise) dense enough to hold the trail of a spoon.
The source recipe assumed a brigade-sized pot watched for ten to twelve hours, a strong arm for forcing the finished stew through a sieve, and a large timbale ready for service. At home, smaller cubes of beef, a compact cocotte, and a gentle oven achieve the same collapse in several hours; an immersion blender removes the brigade labor, while the final sieve stays because its silken finish belongs to the dish. I have scaled the timbale down to a deep two-quart serving dish for four. The parboiling, buttering, sieving, and order of cheese, estouffade, then macaroni remain untouched. Those steps aren't scaffolding.
When it is right, the purée will be wine-dark and glossy, the buttered macaroni firm beneath the teeth, and the cheese melted quietly between the hot layers without a broiled crust. If the reduction catches, don't surrender the whole pot. Ça se rattrape, and the rescue waits in the method. The step that matters most is the uncovered reduction: stop only when the spoon leaves a clean trail and the beef, wine, and tomato have become one.
Macaroni à la Napolitaine belongs to the French classical table, where Naples named a family of preparations built around macaroni, tomato, and grated cheese rather than a single Neapolitan household recipe. French kitchens carried those ingredients through their own sauce grammar, turning a red-wine beef estouffade into a sieved purée and arranging it in a timbale. This is not macaroni merely dressed with tomato, but a French layered main whose long meat reduction gives the preparation its identity.
Quantity
1 1/2 pounds (680 g)
cut into 1-inch (2.5 cm) cubes
Quantity
6 tablespoons (90 ml / 85 g)
divided
Quantity
1 medium (about 1 1/2 cups / 355 ml / 200 g)
finely diced
Quantity
2 medium (about 1 cup / 240 ml / 130 g)
finely diced
Quantity
2 cloves
lightly crushed
Quantity
2 cups (475 ml / 480 g)
crushed by hand
Quantity
2 cups (475 ml / 475 g)
Quantity
1
Quantity
2 teaspoons (10 ml / 12 g)
divided
Quantity
1 teaspoon (5 ml / 2 g)
divided
Quantity
3 quarts (2.8 L / 2.8 kg)
for boiling the macaroni
Quantity
1 tablespoon (15 ml / 18 g)
for the pasta water
Quantity
3 1/2 cups (830 ml / 340 g)
Quantity
2 cups (475 ml / 180 g)
finely grated
| Ingredient | Quantity |
|---|---|
| boneless beef chuckcut into 1-inch (2.5 cm) cubes | 1 1/2 pounds (680 g) |
| unsalted butterdivided | 6 tablespoons (90 ml / 85 g) |
| yellow onionfinely diced | 1 medium (about 1 1/2 cups / 355 ml / 200 g) |
| carrotsfinely diced | 2 medium (about 1 cup / 240 ml / 130 g) |
| garliclightly crushed | 2 cloves |
| canned whole peeled tomatoes with their juicescrushed by hand | 2 cups (475 ml / 480 g) |
| dry medium-bodied red wine | 2 cups (475 ml / 475 g) |
| bouquet garni (bay, parsley, and thyme) | 1 |
| fine sea saltdivided | 2 teaspoons (10 ml / 12 g) |
| freshly ground black pepperdivided | 1 teaspoon (5 ml / 2 g) |
| waterfor boiling the macaroni | 3 quarts (2.8 L / 2.8 kg) |
| fine sea saltfor the pasta water | 1 tablespoon (15 ml / 18 g) |
| dried thick tubular macaroni, such as ziti | 3 1/2 cups (830 ml / 340 g) |
| Parmesan cheesefinely grated | 2 cups (475 ml / 180 g) |
Heat the oven to 300°F (150°C). Dry the beef thoroughly and season it with half the fine sea salt and pepper. Melt 2 tablespoons (30 ml / 28 g) of the butter in a heavy cocotte over medium-high heat. Brown the beef in three uncrowded batches, turning each cube only after its first face has taken a deep chestnut color. Transfer the browned pieces to a bowl. The brown glaze left on the pot is the fond, the concentrated foundation of the estouffade; pale meat cannot give you one.
Lower the heat to medium. Add the onion and carrots to the remaining fat and cook for 8 to 10 minutes, stirring until softened and lightly colored. Add the garlic for 1 minute. Pour in the red wine, scrape every bit of fond from the pot floor, and boil for 4 minutes. Return the beef and its juices, then add the tomatoes, bouquet garni, and remaining salt and pepper. Bring the liquid just to a simmer, cover, and place the cocotte in the oven for 2 1/2 to 3 hours. Turn the beef once midway through. It is ready when the pieces collapse under a wooden spoon and the wine has lost its raw edge.
Discard the bouquet garni and set the uncovered cocotte over low heat. Press the collapsing beef against the side of the pot as you stir, then let the estouffade reduce for 40 to 60 minutes. Stir more frequently as it thickens. Stop when a spoon drawn across the bottom leaves a clean path for several seconds and the mixture settles back slowly, not like soup. This reduction is the dish, so don't hurry it with fierce heat.
Blend the hot estouffade directly in the cocotte until no pieces of beef remain, then press it through a fine-mesh sieve into a clean saucepan. Work patiently with the back of a ladle and discard only the dry fibers left behind. If the purée is too stiff to pass, loosen it with hot water a tablespoon at a time. If it runs from the spoon once sieved, return it to low heat and reduce again until it holds a soft mound. Keep it covered and hot.
Bring the measured water to a rolling boil and add the pasta-water salt. Cook the macaroni until flexible and cooked at the edges but still distinctly firm at its center, about 2 minutes short of the package time. Drain thoroughly. If using long, thick macaroni, cut it into 2-inch (5 cm) lengths; short ziti has already done that bit of brigade work for you. Return the pasta to the warm pot and toss it with the remaining 4 tablespoons (60 ml / 57 g) butter until every tube gleams. If it clumps, loosen it with one spoonful of its cooking water and toss again.
Warm a 2-quart (1.9 L) deep heatproof serving dish, the home equivalent of the large timbale. Divide the cheese, hot estouffade purée, and buttered macaroni roughly into thirds. Sprinkle one-third of the cheese across the bottom, cover it with one-third of the purée, and spread one-third of the macaroni over that. Repeat twice in precisely the same order, ending with macaroni. Work briskly and don't stir the layers together; their order belongs to the preparation.
Cover the timbale for 5 minutes so the cheese softens between the hot layers, but don't bake, brown, or unmold it. Bring the dish directly to the table and serve with a deep spoon, cutting straight down so each helping catches macaroni, cheese, and the wine-dark estouffade. Cooking well is not cooking fancy. À table!
1 serving (about 525g)
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