
Chef Lupita
Alegrías de Amaranto de Tulyehualco
Ciudad de México's Tulyehualco alegría is popped huautli folded into piloncillo honey, pressed with peanuts, pepitas, and raisins, then cut into the rectangular bars that built a pueblo's identity.
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In Hidalgo's Mezquital Valley, tuna cardona juice is boiled in copper until it darkens, thickens, and sets into a sliceable candy called queso, though not a drop of milk ever enters the cazo.
Hidalgo, Valle del Mezquital, between Ixmiquilpan, Actopan, and the dry maguey country, is where this version lives. The tuna cardona grows where the land looks stingy to people who don't know it: nopal, mezquite, maguey, dust, sun. The fruit carries sugar because the plant had to learn thrift.
This is called queso, but there is no milk. The juice of tuna cardona is strained away from its hard seeds, boiled in copper until it becomes melcocha, then beaten until it turns opaque and holds a slice. The women who make it know the sound: the paddle stops splashing and starts dragging. That is the signal. No me vengas con atajos.
There is no chile here. Not all Mexican food has to burn. Sometimes the desert speaks in sugar, tannin, and patience. I learned to respect this dulce in the Mezquital from a señora who sold blocks wrapped in paper beside baskets of xoconostle and ixtle rope. She told me, "si le metes prisa, se venga." If you rush it, it takes revenge.
My mother from Jalisco had no note for queso de tuna in her notebook. Good. Cada estado, su propia cocina.
Queso de tuna belongs to the semi-desert belt of central and north-central Mexico, where tuna cardona, commonly identified with Opuntia streptacantha, is reduced into melcocha, colonche, miel de tuna, and molded sweets before the fruit ferments. The name "queso" refers to the molded, sliceable form and the firm texture, not to dairy. Producers in the region have long measured the work by abundance: roughly 11 kilograms of fresh tuna cardona are needed to make about 1 kilogram of finished queso de tuna.
Quantity
22 pounds
red or purple prickly pears from nopal cardon, heavy for their size and deeply colored
| Ingredient | Quantity |
|---|---|
| ripe tuna cardonared or purple prickly pears from nopal cardon, heavy for their size and deeply colored | 22 pounds |
Use ripe tuna cardona, the red or purple fruit of the nopal cardon. The skins should be deeply colored, the fruit should feel heavy, and the flesh should smell floral and sweet once opened. If the market only has pale, watery supermarket prickly pears, wait. This dulce is the fruit, nothing else. Bad tuna makes bad queso.
Wear gloves. Brush the tuna under running water to remove any remaining fine spines, then cut off both ends of each fruit. Make one lengthwise slit through the peel and lift the flesh out with your thumb or a small knife. Work over a bowl because good tuna bleeds juice the color of garnet.
Put the peeled fruit in a wide heavy pot and crush it with clean hands or a potato masher. Warm it over low heat for 10 to 15 minutes, stirring, just until the fruit loosens and floods the pot with juice. Do not use a blender. A blender breaks the seeds and gives the candy a gritty, bitter edge. The seeds are guests here, not ingredients.
Pass the warm crushed fruit through a coarse sieve or colander first, pressing firmly to separate the juice and soft pulp from the seeds. Then strain the liquid again through a fine-mesh sieve lined with a double layer of cheesecloth. You want clean, seedless juice. The pot should hold about 10 to 12 cups, depending on the fruit. If you have less, your tuna was dry. The market already told you something.
Pour the strained juice into a clean copper cazo made for dulces, or a wide heavy stainless steel preserving pan. Bring it to a strong boil over medium-high heat and skim the purple foam that gathers on top. Stir with a long wooden paddle. The wide pan matters because evaporation is the work. A narrow pot makes you stand there all day arguing with syrup.
Keep the juice at a steady boil for 3 1/2 to 5 hours, stirring more often as it thickens. The color will move from bright magenta to dark garnet, then to a brown-purple paste. When the paddle leaves a path across the bottom of the cazo for two seconds before the paste closes, you are close. Drop a little onto a cold plate. It should hold its shape and peel away with your finger, not run like jam. This is melcocha.
Let the melcocha cool until it is very warm but no longer dangerously bubbling. Scrape it onto a smooth stone slab, marble board, or into a wide heatproof bowl. Beat, fold, and slap it with a wooden paddle for 15 to 25 minutes. It will lighten from glossy dark purple-brown to a more opaque brown and become less sticky. This beating is what turns cooked juice into queso de tuna. Skip it and you have thick syrup, not candy.
Press the beaten paste into an 8-inch square mold lined with parchment, or into small wooden molds if you have them. Smooth the top with the back of a damp spoon. Cover loosely with a clean cloth and let it orear, dry in the air, for 12 hours. Turn the block out, peel off the parchment, and let the other side dry for another 12 hours. The surface should feel dry and leathery, while the center stays firm enough to slice.
Cut the queso de tuna with a thin knife wiped with a damp cloth between slices. Serve small pieces with cafe de olla, atole blanco, or on a holiday dulces tray. It is intense, concentrated fruit from a dry-land kitchen. A little slice carries a whole basket of tuna cardona. Saber cocinar es saber vivir.
1 serving (about 38g)
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