
Chef Lupita
Alegrías de Amaranto de Tulyehualco
Ciudad de México's Tulyehualco alegría is popped huautli folded into piloncillo honey, pressed with peanuts, pepitas, and raisins, then cut into the rectangular bars that built a pueblo's identity.
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Puebla's soft sweet potato candy, cooked down with cane sugar and fruit essence, hand-rolled into logs, and finished with the thin sugar crust of the city's old convent sweets.
Puebla, specifically the city of Puebla and its Calle de los Dulces, owns this candy. Camote poblano is not a chile dish, not a sauce, not the loud version of Mexican food people imagine from outside. It is sweet potato, sugar, fruit essence, and discipline. Cada estado, su propia cocina.
The camote gives the body. Cane sugar gives the shine and the crust. The fruit essence gives that old candy-shop perfume you smell when you walk past trays of tortitas de Santa Clara, muéganos, borrachitos, and wrapped camotes stacked in boxes near the zócalo. This is Puebla's convent hand, passed from nuns to candy makers to women who learned to stir a pot until their shoulders knew the exact moment the paste was ready.
I first learned this from a señora near the mercado El Carmen who sold camotes wrapped in colored paper, each end twisted tight. She told me the same thing three times: cook it until it leaves the pan clean. Not until the timer says so. Until the paste tells you. That is the technique. Saber cocinar es saber vivir.
Camote comes from the Nahuatl word camotli, and sweet potato was cultivated in Mesoamerica long before Spanish sugar transformed it into a confection. Puebla's convent sweets developed during the colonial period, especially in the 17th and 18th centuries, when convent kitchens such as Santa Clara and Santa Rosa became centers of sugar work using local fruits, nuts, seeds, and roots. By the 19th century, camotes poblanos were strongly identified with the city of Puebla and sold wrapped in paper by vendors near the historic center and later around rail stations, turning a convent technique into a public candy.
Quantity
2 pounds
scrubbed
Quantity
1 3/4 cups
Quantity
1/2 cup
Quantity
2 tablespoons
Quantity
1/4 teaspoon
Quantity
1 teaspoon
Quantity
1 teaspoon
orange, pineapple, or strawberry
Quantity
1/2 cup
Quantity
a few drops
| Ingredient | Quantity |
|---|---|
| orange-fleshed sweet potatoes (camote amarillo or camote anaranjado)scrubbed | 2 pounds |
| granulated cane sugar | 1 3/4 cups |
| water | 1/2 cup |
| fresh lime juice | 2 tablespoons |
| fine sea salt | 1/4 teaspoon |
| Mexican vanilla extract | 1 teaspoon |
| fruit essenceorange, pineapple, or strawberry | 1 teaspoon |
| granulated cane sugar for coating | 1/2 cup |
| natural food coloring (optional) | a few drops |
Put the scrubbed camotes in a pot and cover with cold water by two inches. Bring to a steady simmer and cook until a knife slides through the center without resistance, 35 to 45 minutes depending on size. Do not peel them first. The skin protects the flesh from taking on too much water, and candy made from watery camote never sets properly.
Drain the camotes and let them cool just until you can handle them. Peel off the skins and pass the flesh through a food mill, potato ricer, or fine sieve. You want a smooth paste with no fibers. A blender can make it gummy if you punish it too long. Work with patience. La cocina no es decoración, es trabajo.
In a heavy saucepan, combine the 1 3/4 cups cane sugar, water, lime juice, and salt. Cook over medium heat, swirling the pan only until the sugar dissolves. Let it bubble until the syrup looks clear and slightly thick, about 6 to 8 minutes. The lime keeps the sugar from turning grainy. This is candy work, not guesswork.
Add the mashed camote to the syrup and stir with a wooden spoon until fully combined. Lower the heat to medium-low and cook, stirring constantly, 25 to 35 minutes. The paste will darken slightly, thicken, and begin pulling away from the sides and bottom of the pan in one soft mass. If you stop stirring, it scorches. No me vengas con atajos.
Remove the pan from the heat. Stir in the Mexican vanilla and the fruit essence. If using color, add only a few drops. Puebla's camotes can be pink, yellow, orange, or green in the candy shops, but the color should not shout louder than the camote. Taste the paste. It should be sweet, dense, and clean, with the fruit note sitting behind the sweet potato.
Scrape the paste onto a lightly greased tray or parchment-lined sheet pan. Spread it into a thick slab and let it cool until firm enough to handle, 25 to 35 minutes. It should feel like soft modeling clay, not wet puree. If it sticks badly to your fingers, return it to the pan and cook five minutes more.
Lightly oil your hands. Pinch off pieces about the size of a large walnut and roll each one into a short log, 3 to 4 inches long. Roll each log in the remaining sugar until coated all over. The sugar should cling in a thin crust, not bury the candy. Set the pieces on parchment and let them dry at room temperature for at least 2 hours before wrapping.
Wrap each camote in wax paper or cellophane, twisting the ends like the candy shops on Calle de los Dulces. Let them rest overnight if you can. The surface dries, the center stays tender, and the sugar shell settles into the right bite. Recetas probadas y garantizadas.
1 serving (about 50g)
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