
Chef Lupita
Acitrón de Cidra Conventual
Puebla's convent-style acitrón, made from cidra peel instead of endangered biznaga, built through repeated syrup soakings until the cubes turn firm, translucent, and ready for rosca or chiles en nogada.
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Puebla's conventual platter of cidra, fig, pineapple, camote, peaches, and squash, built through repeated syrup soakings, piloncillo reductions, and the patience that turned orchard surplus into winter candy.
Puebla, the Centro Historico around the old convent of Santa Clara, is where this assortment begins. The camote belongs there, wrapped like a little parcel in waxed paper, sweet enough to survive the walk home from the dulceria. But the full conventual table does not stop in Puebla. It reaches Morelia for ate cut from wooden molds, Tlalpujahua for duraznos en almibar, and the Valles Centrales of Oaxaca for chilacayota con pan. Esto no es comida de un solo Mexico.
These sweets are preserved harvest, not decoration. Pineapple, higo, cidra, durazno, camote, calabaza. Fruit that would rot in a week is taught to last through sugar, cal, canela, piloncillo, copper, and time. The first soaking enters the fruit. The second strengthens it. The third turns the edges translucent. If you want a one-hour candy, make something else. No me vengas con atajos.
My mother kept a page in her notebook for dulces de convento, copied from a neighbor whose aunt sold camotes near Santa Clara. In the margin she wrote: 'mas paciencia que azucar.' More patience than sugar. She was right. The fruit was free when the orchard gave too much. The technique made it last. Saber cocinar es saber vivir.
Convent sweets expanded in Puebla and Michoacan during the 17th and 18th centuries, when nuns and lay cooks preserved orchard fruit with cane sugar from colonial mills; Santa Clara de Puebla became associated with camotes, while Morelia's Augustinian dulcerias made ates in copper cazos and wooden molds. Tlalpujahua, in Michoacan's eastern highlands, kept a market tradition of duraznos en almibar, and Oaxaca's Valles Centrales used chilacayota cooked in piloncillo with canela and eaten with bread. The old acitron was often made from biznaga cactus, now protected because overharvesting damaged wild populations, so a responsible Mexican kitchen uses cidra or another firm fruit pith instead.
Quantity
1 small
peeled, cored, and cut into 1-inch spears
Quantity
1 pound
stems trimmed and skins pricked with a toothpick
Quantity
1 pound
halved and pitted
Quantity
1 large
yellow zest pared off, thick white pith cut into 1/2-inch strips
Quantity
2 pounds
scrubbed
Quantity
3 pounds
seeded and cut into 3-inch wedges with rind attached
Quantity
2 pounds
rinsed and cut into chunks, for ate moreliano
Quantity
1 tablespoon
for the limewater bath
Quantity
3 quarts
Quantity
13 cups
divided
Quantity
14 cups
divided
Quantity
5
divided
Quantity
10
divided
Quantity
3 tablespoons
divided
Quantity
1 1/2 pounds
chopped
Quantity
1 strip
white pith removed
Quantity
1/2 teaspoon
Quantity
1 cup
for coating
Quantity
for serving with the ate
Quantity
for serving with chilacayota
Quantity
for wrapping camotes
| Ingredient | Quantity |
|---|---|
| ripe pineapplepeeled, cored, and cut into 1-inch spears | 1 small |
| firm fresh figsstems trimmed and skins pricked with a toothpick | 1 pound |
| firm yellow peacheshalved and pitted | 1 pound |
| cidra or citronyellow zest pared off, thick white pith cut into 1/2-inch strips | 1 large |
| camote amarillo or orange sweet potatoesscrubbed | 2 pounds |
| chilacayota or calabaza de Castillaseeded and cut into 3-inch wedges with rind attached | 3 pounds |
| ripe guavas or quincerinsed and cut into chunks, for ate moreliano | 2 pounds |
| food-grade calcium hydroxide (cal para nixtamal)for the limewater bath | 1 tablespoon |
| water for limewater bath | 3 quarts |
| granulated cane sugardivided | 13 cups |
| water for syrups and cookingdivided | 14 cups |
| Mexican cinnamon sticks (canela)divided | 5 |
| whole clovesdivided | 10 |
| fresh lime juicedivided | 3 tablespoons |
| piloncillo coneschopped | 1 1/2 pounds |
| orange peelwhite pith removed | 1 strip |
| kosher salt | 1/2 teaspoon |
| fine granulated cane sugarfor coating | 1 cup |
| queso fresco slices (optional) | for serving with the ate |
| pan de yema or bolillo (optional) | for serving with chilacayota |
| waxed paper squares (optional) | for wrapping camotes |
Start at the mercado. The pineapple should smell sweet at the base, the figs should be firm enough to hold their shape, the peaches should be yellow and not soft, and the cidra should have thick white pith. If the figs are tired or the peaches are out of season, leave them alone. Mexican grandmothers cook with what the market is selling today. La paciencia es la regla del huerto.
Stir the food-grade cal into 3 quarts water in a nonreactive bowl. Let it settle for 10 minutes, then pour the clear limewater into a clean bowl and leave the chalky sediment behind. Soak the pineapple, figs, peaches, and cidra for 1 hour. Soak the chilacayota or calabaza for 2 hours if you want firmer pieces for tacha. Rinse everything three times under cool water. Cal firms the fruit so it can survive the syrup without collapsing.
Put the cidra strips in a saucepan, cover with fresh water, and simmer for 10 minutes. Drain. Repeat this two more times with fresh water. The harsh bitterness will soften and the pith will smell clean and citrusy. This is your acitron now. Do not use biznaga. That cactus has been overharvested for candy long enough.
In a wide heavy pot, combine 6 cups water, 4 cups granulated cane sugar, 2 canela sticks, 4 cloves, and 1 tablespoon lime juice. Bring to a simmer and stir until the sugar dissolves. Add the pineapple and cidra first and simmer 15 minutes. Add the figs for the last 8 minutes and the peaches for the last 5 minutes. The fruit should soften at the edges but remain whole. Cover the pot, turn off the heat, and let the fruit soak overnight.
The next day, lift the fruit out with a slotted spoon and set it on a tray. Add 2 cups granulated cane sugar to the syrup. Simmer until it reaches 106C / 223F, or until a drop between your fingers pulls into a light thread once cooled. Return the fruit to the pot and simmer 5 minutes. Turn off the heat, cover, and soak overnight again. The syrup is entering the fruit slowly. Rush it and the outside candies before the center understands what is happening.
On the third day, lift the fruit out again. Add 1 1/2 cups granulated cane sugar to the syrup and simmer until it reaches 110C / 230F. Return the fruit and simmer 3 to 5 minutes, just enough to heat each piece through. Soak at least 6 hours, or overnight, until the pineapple and cidra look translucent at the edges and the figs turn glossy and dark. Tlalpujahua's duraznos en almibar stay amber and tender. They should not fall apart.
Lift the fruit from the syrup and set it on wire racks over trays. Let it dry 6 to 8 hours, turning once, until the surface is tacky but not wet. Roll the pineapple, figs, cidra, and peaches in fine granulated cane sugar if you want a dry crystallized finish. Store the leftover syrup. It carries canela, clove, fruit, and work. Pour it over plain yogurt, sweeten atole with it, or spoon it onto pan dulce.
Put the camotes in a pot, cover with water, and simmer until a knife slides through the center, about 35 to 45 minutes depending on size. Peel them while warm and pass the flesh through a sieve or food mill. In a wide pot, combine 1 cup water, 2 cups granulated cane sugar, and 1 canela stick. Simmer until clear, then remove the canela. Add the camote puree, 1 tablespoon lime juice, and the salt. Cook over medium-low heat, stirring constantly, 35 to 45 minutes, until the paste pulls away from the pot and holds a line when you drag the spoon through it. This is the patience of Santa Clara de Puebla, not mashed sweet potato with sugar.
Scrape the camote paste onto a lightly sugared tray. Let it cool until you can handle it. Shape into short logs, roll lightly in fine sugar, and wrap in waxed paper if you want the Puebla dulceria look. If the paste slumps, it needed more cooking. Put it back in the pot and keep stirring. Así se hace y punto.
Arrange the chilacayota or calabaza wedges rind side down in a glazed clay cazuela or heavy pot. Add the chopped piloncillo, 3 cups water, 2 canela sticks, 6 cloves, and the orange peel. Bring to a gentle simmer, cover for 45 minutes, then uncover and cook 1 1/2 to 2 hours more, basting the squash with the syrup every 20 minutes. The syrup should darken to brown amber and coat the spoon. The flesh should look glossy and dense. This is slow reduction, not boiling fruit to death. In the Valles Centrales, chilacayota con pan means the bread catches the syrup. Respect that.
Put the guavas or quince in a pot with enough water to cover by 1 inch. Simmer until very soft, 25 to 40 minutes. Drain, then pass the fruit through a food mill or fine sieve to remove seeds and skins. Measure 3 cups fruit puree and combine it with 3 cups granulated cane sugar and 1 tablespoon lime juice in a copper cazo or a wide heavy pot. Cook over medium-low heat, stirring with a wooden paddle, 60 to 75 minutes, until the paste thickens, turns shiny, and exposes the bottom of the cazo for two seconds when you drag the paddle through it. Pour into damp wooden molds or a lined loaf pan and cool completely before slicing.
Slice the ate into bricks. Set the crystallized pineapple, figs, cidra, and peaches in small piles on a Talavera platter. Add the wrapped camotes, the calabaza or chilacayota in a small clay cazuela with its piloncillo syrup, and the ate with slices of queso fresco beside it. Put pan de yema or bolillo near the chilacayota. This is not food from a single Mexico. Puebla, Michoacan, and Oaxaca are all on the table. Cada estado, su propia cocina.
1 serving (about 285g)
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Chef Lupita
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