
Chef Lupita
Agua de Chaya Tabasqueña
Tabasco's daily green refresher from the Chontalpa, made with blanched chaya leaves, limón criollo, and piloncillo, poured over ice for the kind of heat that makes the kitchen slow down.
A cooking platform built around craft, culture, and the stories behind what we eat.

Created by
Chiapas Highland pox served the way the drink asks to be treated: clean, in small clay cups, with maíz criollo, piloncillo, sugarcane, and restraint at the table.
Chiapas, Los Altos, San Juan Chamula. Pox lives in the cold highland air above San Cristóbal de las Casas, in Tzotzil country, where corn is not an ingredient you decorate with. Corn is the center of the house.
The drink is built from maíz criollo, sugarcane, and wheat bran. That combination tells the history before anyone opens a book: native corn, colonial cane, introduced wheat, all made to answer to a Maya table. In the kitchens where I was allowed to listen, the women knew the fermentation by smell before any man with a bottle label could explain it. Sour-sweet grain, cane warmth, the sharp promise of the still. La cocina no es decoración, es trabajo.
This recipe does not teach you to distill pox. No me vengas con atajos, and no me vengas with a kitchen still in an apartment. Distilling alcohol without permits and proper equipment can be illegal and dangerous. You will source real pox from Chiapas and serve it correctly: small pours, clay cups, no cocktail costume.
Serve it neat first. If someone needs a softer edge, give them a few drops of piloncillo syrup, not a glass full of fruit juice. This is a special occasion drink, but the sacred context belongs to Chamula. You can respect it at your table. You cannot pretend you own the ceremony. Cada estado, su propia cocina.
Pox, pronounced posh, is associated with Tzotzil and Tzeltal communities of Los Altos de Chiapas, and its name is commonly glossed in Tzotzil as medicine or cure. Because widespread distillation in Mexico developed after Spanish contact, pox carries a colonial meeting of older corn fermentation with introduced sugarcane, wheat, and still technology. In San Juan Chamula it remains tied to syncretic Catholic-Maya ceremony, where it may be offered to saints, shared in ritual, or used in healing practice, not treated as a novelty shot.
Quantity
9 ounces
made from maíz criollo, sugarcane, and wheat bran, held at cool room temperature
Quantity
1/2 cup
white or yellow, picked over
Quantity
2 ounces
chopped
Quantity
1/2 cup
Quantity
1 tiny pinch
| Ingredient | Quantity |
|---|---|
| legally produced pox from Chiapasmade from maíz criollo, sugarcane, and wheat bran, held at cool room temperature | 9 ounces |
| dried maíz criollo kernels from Chiapaswhite or yellow, picked over | 1/2 cup |
| piloncillochopped | 2 ounces |
| water | 1/2 cup |
| sal de grano (optional) | 1 tiny pinch |
Buy legally produced pox from Chiapas, preferably from Los Altos, San Juan Chamula, Zinacantán, or nearby Tzotzil and Tzeltal communities. The bottle or vendor should be able to tell you the base: maíz criollo, sugarcane, and wheat bran. If all they can say is aguardiente, keep asking. Pregúntale a las señoras del mercado.
Heat a dry comal over medium. Add the maíz criollo kernels and shake the pan often for 6 to 8 minutes, until the kernels smell like roasted tortilla and show brown freckles. You are not making popcorn. You are waking up the grain so the table smells like corn before the first cup is poured.
Put the chopped piloncillo and water in a small clay cazuelita or saucepan. Simmer gently for 8 to 10 minutes, stirring until the piloncillo dissolves and the syrup turns glossy and light brown. Add the tiny pinch of sal de grano only if the syrup tastes flat. The salt should disappear. It is there to sharpen the cane flavor, not announce itself.
Arrange six small clay cups or jicaritas on the table. Put the toasted maíz criollo in a small bowl and the piloncillo syrup in another. Do not sugar the rims. Do not add lime. Pox is not asking to be turned into a party trick.
Pour 1 1/2 ounces pox into each clay cup. Serve neat for the first sip. If someone needs softness, let them add 1/4 teaspoon piloncillo syrup to the cup and swirl once. Sip it. Do not shoot it. A drink tied to ritual deserves a slower hand. Así se hace y punto.
1 serving (about 60g)
Culinary guides, cultural storytelling, and the editorial depth that makes cooking meaningful.
Discover Culinary Explorer
Chef Lupita
Tabasco's daily green refresher from the Chontalpa, made with blanched chaya leaves, limón criollo, and piloncillo, poured over ice for the kind of heat that makes the kitchen slow down.

Chef Lupita
Los Altos de Chiapas drink this agua cold, with chía seeds suspended like tiny pearls, limón criollo for sharpness, and piloncillo for a cane-deep sweetness that belongs to the market.

Chef Lupita
Tabasco's Chontalpa refresher turns purple matalí leaves into a bright pink agua with limón criollo, sugar, and ice, the kind of drink that belongs beside a clay pitcher on a hot table.

Chef Lupita
Chiapas highland atole built from black beans, masa, hierba santa, and toasted chile costeño, served hot in clay cups as the kind of food that fills the stomach without showing off.