
Chef Lupita
Arroz a la Tumbada Veracruzano
Veracruz's Gulf coast rice from Alvarado, built with seafood stock, tomato, chile chipotle, epazote, shrimp, fish, jaiba, and pulpo, served loose and brothy in a clay cazuela.
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Veracruz's Sotavento stew of pork shoulder, calabaza de Castilla, chile ancho, and ground peanut, dense and sweet enough to sit over rice without apologizing to anyone.
Veracruz, the Sotavento, is where this stew belongs: south of the port, near Tlacotalpan, Alvarado, and the river towns where African, Indigenous, and Spanish kitchens met in the same clay pot. This is not coastal fish food. This is inland comfort, pork and calabaza cooked until the squash softens into the sauce and the peanut gives it body.
The chile here is chile ancho, with a little guajillo for color. Not a fistful of random dried chiles. The calabaza should be calabaza de Castilla when the market has it, dense, orange, sweet, with skin tough enough to argue back. If you only see watery zucchini, don't make this dish today. Pregúntale a las señoras del mercado. They know which squash will hold itself in the pot.
I learned a version of this near Tlacotalpan from a woman who served it in a deep clay cazuela beside white rice, corn tortillas, and nothing decorative. She toasted the peanuts until the kitchen smelled warm and brown, then ground them fine enough to thicken the stew without turning it gritty. That is the hand of this dish: patience with the peanut, respect for the squash, pork browned in manteca de cerdo because la manteca es el sabor.
Cada estado, su propia cocina. Veracruz is son jarocho, port trade, river humidity, cane fields, peanuts, plantains, seafood, pork, and women who learned how to make a pot feed a table. Saber cocinar es saber vivir.
Veracruz was the main Caribbean-facing port of New Spain, and from the 16th through 18th centuries enslaved Africans and their descendants helped shape the cooking of the Sotavento through techniques of stewing, frying, and thickening sauces with seeds and nuts. Peanuts originated in South America and spread widely through pre-Columbian and colonial trade routes; in Veracruz they became part of both sweet and savory cooking, especially in sauces with chile and tomato. Puerco con calabaza shows that Afro-Mexican influence is not a footnote: it lives in everyday pots, in the way peanut gives body to pork and squash without needing cream, flour, or foreign excuses.
Quantity
2 1/2 pounds
cut into 1 1/2-inch pieces
Quantity
1 1/2 teaspoons, plus more to taste
Quantity
3 tablespoons
Quantity
1 medium
finely chopped
Quantity
4
chopped
Quantity
3
stemmed and seeded
Quantity
2
stemmed and seeded
Quantity
3 medium
charred on a comal
Quantity
1/2 teaspoon
toasted
Quantity
4
Quantity
1 small piece, about 2 inches
Quantity
1/2 cup, plus 2 tablespoons for finishing
Quantity
4 cups, divided
Quantity
2 pounds
seeded and cut into 2-inch chunks
Quantity
2 sprigs
Quantity
1 tablespoon
grated, only if the squash is not sweet
Quantity
for serving
Quantity
for serving
| Ingredient | Quantity |
|---|---|
| pork shouldercut into 1 1/2-inch pieces | 2 1/2 pounds |
| kosher salt | 1 1/2 teaspoons, plus more to taste |
| manteca de cerdo | 3 tablespoons |
| white onionfinely chopped | 1 medium |
| garlic cloveschopped | 4 |
| dried chile anchostemmed and seeded | 3 |
| dried chile guajillostemmed and seeded | 2 |
| ripe Roma tomatoescharred on a comal | 3 medium |
| cumin seedstoasted | 1/2 teaspoon |
| whole black peppercorns | 4 |
| Mexican cinnamon stick | 1 small piece, about 2 inches |
| roasted unsalted peanuts | 1/2 cup, plus 2 tablespoons for finishing |
| pork stock or water | 4 cups, divided |
| calabaza de Castilla or kabocha squashseeded and cut into 2-inch chunks | 2 pounds |
| fresh epazote | 2 sprigs |
| piloncillo (optional)grated, only if the squash is not sweet | 1 tablespoon |
| cooked white rice (optional) | for serving |
| warm hand-pressed corn tortillas (optional) | for serving |
Pat the pork dry and season it with the kosher salt. Let it sit while you prepare the chiles and tomatoes. Dry meat browns. Wet meat boils in its own water and gives you a thin stew before you have even started.
Heat a dry comal over medium. Toast the chile ancho and chile guajillo separately, about 20 to 30 seconds per side, until the skins darken slightly and smell fruity. Do not let them blacken. Chile ancho gives the stew its raisin-dark sweetness. Guajillo gives clean red color. Burn them and the whole pot turns bitter.
Put the toasted chiles in a bowl and cover them with hot water. Let them soften for 20 minutes. Drain them, but save 1/2 cup of the soaking liquid in case the blender needs help. Taste that liquid first. If it tastes bitter, throw it away and use stock.
Set the Roma tomatoes on the hot comal and turn them until the skins blister and blacken in spots. The flesh should soften but not collapse into water. This is Veracruz, and tomato belongs in many of its stews, but it works as support. It does not replace the chile.
Blend the soaked chiles, charred tomatoes, toasted cumin, black peppercorns, cinnamon, 1/2 cup peanuts, and 1 cup pork stock until very smooth. Blend longer than you think. Peanut left coarse turns sandy in the mouth, and a señora from the Sotavento would notice before you got the spoon to the table.
Melt the manteca de cerdo in a heavy cazuela or Dutch oven over medium-high heat. Brown the pork in batches, turning until the edges take on deep golden color. Do not crowd the pot. The browned bits at the bottom are part of the sauce. La manteca es el sabor, and here it carries the chile, the peanut, and the pork together.
Lower the heat to medium. Add the chopped onion to the same pot and cook until soft and lightly golden, about 6 minutes. Add the garlic and cook for 1 minute more. Scrape the bottom with a wooden spoon so the pork drippings loosen into the onion.
Pour the blended chile-peanut sauce into the pot. It will sputter, so stand back and stir with purpose. Cook for 8 to 10 minutes, stirring often, until the sauce thickens, darkens, and the fat begins to show at the edges. This is the step that makes it a stew instead of boiled pork in red liquid. No me vengas con atajos.
Return the browned pork and its juices to the pot. Add the remaining 3 cups pork stock and bring to a gentle simmer. Cover partially and cook for 1 hour, stirring now and then, until the pork is beginning to soften but is not falling apart yet.
Add the calabaza chunks and the epazote sprigs. If your squash is flat and not sweet, add the grated piloncillo now. Cover partially and simmer 30 to 40 minutes more, until the pork is tender and the calabaza is soft at the edges but still holds some shape. The squash should thicken the sauce naturally. If it disappears completely, you cut it too small.
Taste for salt. Pull out the epazote stems and the cinnamon stick if you see it. If the sauce is too thick, loosen it with a splash of stock. If it is too thin, simmer uncovered for 10 minutes. The finished stew should be dense enough to sit over rice, glossy from the manteca, and sweet at the back of the spoon from the calabaza and peanut.
Spoon the stew over plain white rice and scatter the remaining chopped roasted peanuts on top. Put warm corn tortillas on the table. Flour tortillas are a northern tradition; here they do not belong. Serve from the cazuela, family-style, with the sauce staining the rice red-brown. Así se hace y punto.
1 serving (about 525g)
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