
Chef Takumi
Braised Pork Belly (豚の角煮, Buta no Kakuni)
Kakuni looks like a long, stern dish. It isn't. Boil the pork first, simmer it slowly, and the belly turns tender, glossy, and clean-tasting.
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Kanroni is autumn saury made patient: bone-in fish simmered until the soy-mirin glaze turns lacquer-dark and the little bones soften enough to eat with rice.
Sanma arrives with autumn written right into its name: 秋刀魚, autumn knife fish. It is long, blue-silver, oily in the best way, and at its prime when the air first sharpens. This dish takes that seasonal fish and makes it keep, which is why it belongs so naturally to the make-ahead table.
The hesitation is honest. A whole fish with bones sounds like a chore, and kanroni sounds like a pot that needs a priest and a free afternoon. It doesn't. Cut the fish into short pieces, clean it well, and simmer it quietly in sake, dashi, vinegar, sugar, mirin, shōyu, and ginger. The vinegar is not there to make the dish sour. It works slowly on the fine bones, while the sweet soy reduces into a dark, glossy coat.
The one detail that decides it is gentleness after the first boil. A hard boil shakes the pieces apart and clouds the glaze. A soft simmer under an otoshibuta, a drop-lid that sits on the food, keeps every piece bathed without stirring. When the spine gives under your teeth and the surface looks lacquered, you have the real thing: nothing picked over, nothing hidden, just autumn fish made calm enough to eat cold from the refrigerator.
Sanma became strongly associated with Edo autumn in the eighteenth and nineteenth centuries, when the cheap oily fish was grilled and eaten by commoners and later fixed in memory by the rakugo story Meguro no Sanma. Kanroni uses kanro, sweet dew, a Buddhist and Chinese-derived term for celestial nectar; in cooking it came to mean a sweet soy simmer that could preserve small fish and make their bones edible. The method appears across Japan with ayu, wakasagi, and goby as well as sanma, but the autumn saury version belongs especially to the season when the fish is fattest.
Quantity
4 whole fish (about 600g total)
heads, tails, and guts removed; cut crosswise into 3 pieces each
Quantity
about 4 cups
for shimofuri cleaning
Quantity
1 cup
homemade from konbu and katsuobushi
Quantity
1 cup
Quantity
1/4 cup
Quantity
40g
half thinly sliced, half cut into fine threads
Quantity
3 tablespoons
Quantity
3 tablespoons
Quantity
5 tablespoons
Quantity
1 thin strip
cut into hair-thin slivers
| Ingredient | Quantity |
|---|---|
| Pacific saury (sanma)heads, tails, and guts removed; cut crosswise into 3 pieces each | 4 whole fish (about 600g total) |
| boiling waterfor shimofuri cleaning | about 4 cups |
| clear dashihomemade from konbu and katsuobushi | 1 cup |
| sake | 1 cup |
| rice vinegar | 1/4 cup |
| fresh gingerhalf thinly sliced, half cut into fine threads | 40g |
| sugar | 3 tablespoons |
| mirin | 3 tablespoons |
| shōyu (Japanese soy sauce) | 5 tablespoons |
| yuzu peel (optional)cut into hair-thin slivers | 1 thin strip |
Rinse the sanma briefly under cold water. Cut off the heads just behind the gills, trim the tails, pull out the guts, and rinse the belly cavities until no dark blood remains. Cut each fish crosswise into 3 short pieces and pat them dry. Keep the spine in. This is kanroni, and the slow simmer is there to make that bone edible, not to avoid it.
Lay the fish pieces in a colander and pour boiling water over them until the skin tightens and turns slightly satin. Rinse at once under cold water, rubbing away any clinging blood or loose scales with gentle fingers. This quick cleaning is called shimofuri, frost-blanching. It is not fuss. It removes surface smell and scum so the finished glaze tastes of fish at its prime, not of what should have been washed away.
Put the dashi, sake, rice vinegar, and sliced ginger in a wide heavy pot. Bring it just to a simmer, then lay the sanma pieces in a single layer. The liquid should come at least halfway up the fish; add a little more dashi or water if the pot is too wide. Skim once, then set an otoshibuta, a wooden drop-lid, directly on the fish and lower the heat. Simmer quietly for 45 minutes.
Add the sugar and mirin around the fish, not directly on top of it. Swirl the pot by its handles so the seasonings move through the liquid without breaking the pieces. Set the drop-lid back on and simmer 20 minutes more. Sweetness goes in before shōyu because salt tightens the surface; give the sugar time first and the seasoning settles deeper.
Add the shōyu around the edge of the pot and return the drop-lid. Keep the simmer soft for 45 to 60 minutes, spooning liquid over the top now and then if the upper sides look dry. Do not stir. A hard boil breaks the fish and a spoon turns the pieces into a complaint. The glaze should darken slowly, the skin should stay mostly intact, and the pot should smell of ginger and clean soy, not sharp vinegar.
Lift one center piece carefully and test a bit of spine. It should yield under your teeth without a chalky snap. If it is still hard, add a splash of dashi or water, cover with the drop-lid again, and simmer another 20 minutes. The clock is useful, but the bone tells the truth.
When the bones are tender, remove the drop-lid and simmer uncovered for 5 to 10 minutes, spooning the liquid over the fish until it turns glossy and lightly syrupy. Stop before the bottom looks sticky or the soy smells dark and harsh. The final glaze should coat the fish like lacquer, not bury it.
Take the pot off the heat and let the sanma cool in its glaze. This rest matters. As the fish cools, it drinks in the seasoning and firms enough to lift cleanly. Serve at room temperature or cold, with fine threads of ginger and a sliver of yuzu peel if you have it. Rice, miso soup, and one bright vinegared vegetable are enough around it.
1 serving (about 190g)
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