
Chef Takumi
Candied Japanese Sweet Potatoes (大学芋, Daigakuimo)
Daigakuimo is simple student comfort: sweet potato cut stout, fried until the corners take color, then turned in a soy-sugar syrup that sets shiny instead of sticky.
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Kabocha no nimono is autumn pared down: sweet squash, clear dashi, soy, and sugar cooked under a drop-lid until each piece is tender, glossy, and still itself.
Kabocha announces autumn before it says anything else. The skin goes dull and hard, the stem turns corky, and the flesh becomes dense and sweet enough that a loud seasoning would be a small crime. This is 旬 (shun), the ingredient at its prime, doing the heavy lifting before you have found the pot.
People sometimes fuss over nimono, simmered dishes, as if the pot were waiting to embarrass them. It isn't. The method is kind: dashi, shōyu, a little sugar and mirin, and a simmer quiet enough that the pieces do not knock each other to mush. 本物 (honmono), the real thing, is not clever here. It is restraint, and one good squash.
The detail that decides it is contact. An otoshibuta, a wooden drop-lid, sits directly on the food so the seasoned broth washes over every piece without stirring. Stirring would break the kabocha just when it turns tender. No drop-lid? Cut a circle of parchment and press it on the surface. That is a sensible stand-in, not a confession.
Serve kabocha no nimono warm, cool, or at room temperature beside rice and soup, one small dish among others. It tastes fuller after it rests, because the starch relaxes and the broth moves inward. Leave it alone, then leave it room. This is how a side dish becomes the calmest part of the meal.
The word kabocha comes from Cambodia: Portuguese traders brought squash to Kyushu in the mid-sixteenth century, and Japanese speakers shortened the foreign place-name attached to the vegetable. By the Edo period, simmered preparations of vegetables in dashi and soy-seasoned broth had settled into everyday cooking, the home expression of nimono, one of washoku's core methods. The otoshibuta, or drop-lid, belongs to that practical household technique, allowing a shallow broth to season food evenly without fully submerging it.
Quantity
2 cups
for dashi
Quantity
1 piece (about 5g)
Quantity
15g
Quantity
1/2 large (about 700g before trimming)
seeded and cut into 2-inch pieces, skin mostly left on
Quantity
1 tablespoon
Quantity
1 tablespoon
Quantity
2 tablespoons
Quantity
1 small strip
cut into a fine sliver
| Ingredient | Quantity |
|---|---|
| cold waterfor dashi | 2 cups |
| konbu (dried kelp) | 1 piece (about 5g) |
| katsuobushi (dried bonito flakes) | 15g |
| kabocha squashseeded and cut into 2-inch pieces, skin mostly left on | 1/2 large (about 700g before trimming) |
| sugar | 1 tablespoon |
| mirin | 1 tablespoon |
| koikuchi shōyu (regular Japanese soy sauce) | 2 tablespoons |
| yuzu peel (optional)cut into a fine sliver | 1 small strip |
Wipe the konbu with a damp cloth, but don't wash it. The pale bloom on the surface is not dirt, it's flavor. Put the konbu in the cold water and warm it slowly over medium-low heat, about ten minutes, until the water trembles and small bubbles climb the sides of the pot. Lift the konbu out before the water boils, because boiling pulls bitterness and slickness from the kelp into what should be a clean stock.
Bring the konbu water just to a gentle boil, add the katsuobushi all at once, and immediately turn off the heat. Let the flakes sink on their own for two or three minutes. Strain through a cloth or fine strainer and let the dashi drip without pressing. Squeezing forces out harsh, oily flavors, and this small dish is too quiet to hide them. Measure 1 1/2 cups dashi for the pot.
Scrub the kabocha, scoop out the seeds and stringy center, and cut it into pieces about two inches across. Leave most of the dark green skin on. It holds the flesh together as it softens and gives the dish its autumn color. If you want especially neat pieces, trim the sharp corners, a small practice called mentori. The rounded edges are less likely to crumble in the simmer.
Set the kabocha skin-side down in a single layer in a wide pot. Add the measured dashi, sugar, and mirin. The liquid should come about halfway up the pieces; add a spoonful or two more dashi or water if your pot is broad. Bring it to a gentle simmer. Giving the sweetness a short head start is not ceremony. Sugar enters dense vegetables slowly, and soy will season the surface more quickly.
After five minutes, pour the shōyu around the edge of the pot, not onto one piece. Set an otoshibuta, a wooden drop-lid, directly on the kabocha, or use a parchment circle with a small hole in the center. Simmer quietly for 15 to 18 minutes. The broth should murmur, not roll. A hard boil makes the pieces collide and fall apart, while the drop-lid keeps seasoning moving over them without stirring.
Lift the drop-lid and test the thickest piece with a skewer. It should slide in easily, with the skin still holding. If the kabocha is tender and the broth is still deep, simmer uncovered for two or three minutes to let the surface turn glossy. Don't chase a syrup. This is nimono, not candy, and the broth should remain clear enough to spoon over the pieces.
Turn off the heat and leave the kabocha in its broth for at least 30 minutes, preferably an hour. As it cools, the seasoning moves inward and the flesh firms enough to lift cleanly. Serve warm, cool, or at room temperature with a spoonful of broth. Add the yuzu peel only if you have it; the dish is complete without decoration.
1 serving (about 200g)
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