
Chef Graziella
Anguilla Arrosto alla Comacchiese
The legendary roasted eel of Comacchio, where the brackish lagoons of the Po Delta have produced Italy's finest anguilla for two thousand years. Bay leaves, salt, fire. Nothing more.
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Venetian cuttlefish braised in its own ink, served over soft golden polenta. The dark sauce tastes of the sea itself, and the contrast of colors tells you everything about the lagoon that created this dish.
The cooking of Venice is unlike the cooking of any other Italian city. The lagoon shaped everything: the fish, the rice, the vegetables grown on islands, the trade routes that brought spices. Seppie in nero is Venice on a plate. The cuttlefish comes from the Adriatic, the ink from the creature itself, and the polenta from the cornfields of the Veneto.
Americans often confuse cuttlefish with squid. They are related but not the same. Cuttlefish has a thicker body, a more delicate texture when cooked properly, and larger ink sacs. If you cannot find cuttlefish, squid will do, but the dish will be slightly different. Cuttlefish is what Venetian grandmothers used, and it is what you should seek.
The ink frightens some people. It should not. It tastes of the sea, adds a silky quality to the sauce, and turns the dish that particular shade of black that has made it famous. Without the ink, you have braised cuttlefish. With it, you have something that belongs only to Venice.
Venetian fishermen have prepared seppie in nero for centuries, using every part of the cuttlefish pulled from the Adriatic lagoon. The dish appears in Venetian cookbooks from the 16th century onward, always paired with polenta, which became the staple starch of the Veneto after corn arrived from the Americas. The recipe has changed remarkably little in 400 years.
Quantity
2 pounds
cleaned, ink sacs reserved
Quantity
2 packets (about 8 grams)
Quantity
1/3 cup
Quantity
1 medium
diced fine
Quantity
3
sliced thin
Quantity
1 cup
Quantity
1 can (14 ounces)
crushed by hand
Quantity
1 cup
Quantity
2 tablespoons
chopped
Quantity
to taste
Quantity
to taste
freshly ground
Quantity
2 cups
Quantity
8 cups
Quantity
2 teaspoons
Quantity
3 tablespoons
Quantity
1/2 cup
freshly grated
| Ingredient | Quantity |
|---|---|
| fresh cuttlefishcleaned, ink sacs reserved | 2 pounds |
| cuttlefish or squid ink (optional) | 2 packets (about 8 grams) |
| extra virgin olive oil | 1/3 cup |
| yellow oniondiced fine | 1 medium |
| garlic clovessliced thin | 3 |
| dry white wine | 1 cup |
| whole peeled tomatoescrushed by hand | 1 can (14 ounces) |
| fish stock or water | 1 cup |
| flat-leaf parsleychopped | 2 tablespoons |
| kosher salt | to taste |
| black pepperfreshly ground | to taste |
| coarse polenta | 2 cups |
| water | 8 cups |
| kosher salt | 2 teaspoons |
| unsalted butter | 3 tablespoons |
| Parmigiano-Reggianofreshly grated | 1/2 cup |
If your fishmonger has not cleaned the cuttlefish, you must do it yourself. Pull the head and tentacles from the body. Remove and reserve the silvery ink sac, being careful not to puncture it. Discard the cuttlebone, the beak, and the innards. Rinse the body and tentacles thoroughly under cold water. Cut the body into strips roughly half an inch wide and two inches long. Cut the tentacles into manageable pieces.
In a heavy braising pan or Dutch oven, warm the olive oil over medium heat. Add the onion and cook slowly, stirring occasionally, until it becomes translucent and soft, about 12 minutes. It must not brown. Add the sliced garlic and cook one minute more, just until fragrant. The garlic must stay pale.
Add all the cuttlefish to the pan. Raise the heat to medium-high and cook, stirring frequently, until the pieces turn opaque and release their liquid, about 5 minutes. The pan will become wet. This is correct. Continue cooking until most of this liquid evaporates.
Pour in the white wine. Let it bubble vigorously until the alcohol smell disappears and the wine reduces by half, about 4 minutes. Add the crushed tomatoes and the fish stock. Stir well. The mixture should just cover the cuttlefish. Add a splash more water if needed.
If using fresh ink sacs, puncture them into a small bowl and dilute with two tablespoons of the cooking liquid. If using packets, squeeze them into the bowl and dilute the same way. Stir the ink mixture into the pan. The sauce will turn dramatically black. This is the moment the dish becomes Venetian.
Reduce the heat to low. The sauce should simmer gently, with only occasional bubbles breaking the surface. Cover the pan partially and braise until the cuttlefish is completely tender, about one hour. Stir every 15 minutes. The sauce will reduce and thicken. If it becomes too thick before the cuttlefish is tender, add a splash of water. Season with salt and pepper when nearly done.
About 45 minutes before serving, bring eight cups of water to a boil in a heavy pot. Add two teaspoons of salt. Reduce heat until the water barely simmers. Pour the polenta into the water in a slow, steady stream while whisking constantly to prevent lumps. Continue whisking for the first two minutes.
Reduce heat to the lowest setting. The polenta should bubble lazily, like volcanic mud. Stir every 5 to 10 minutes with a wooden spoon, scraping the bottom and sides. Cook for at least 40 minutes, longer if you have patience. The polenta is done when it pulls away from the sides of the pot and has lost all trace of graininess on the tongue.
Remove the pot from heat. Stir in the butter until it melts completely, then fold in the Parmigiano-Reggiano. The polenta should be soft and flowing, not stiff. If it has thickened too much, stir in a splash of hot water. Taste for salt.
Spoon a generous bed of soft polenta into each warm bowl. Ladle the ink-black cuttlefish and its sauce over and around the polenta. The contrast of gold and black is the beauty of this dish. Scatter fresh parsley over the top. Serve at once. The polenta waits for no one.
1 serving (about 350g)
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