
Chef Takumi
Chocolate Shu Cream (チョコレートシュークリーム, Chokorēto Shū Kurīmu)
Chocolate shu cream is judged twice: first by the hollow shell, then by the custard. Dry the dough properly, choose chocolate with backbone, and the little puff behaves.
A cooking platform built around craft, culture, and the stories behind what we eat.

Created by
These small choux puffs look more difficult than they are: dry the dough properly, let water vapor make the hollow, then finish with dark kuromitsu and nutty kinako.
Choux has a reputation for being temperamental, which is a polite way of saying it makes good cooks suspicious. It shouldn't. This paste is only water, butter, flour, and egg arranged in the right order, and the oven does the theatrical part while you stand there looking wiser than you feel.
The one detail that decides it is dryness before the eggs. Cook the flour paste over the heat until it pulls cleanly from the pan and leaves a thin film on the bottom. You're driving off just enough water so the dough can take the eggs without slumping. Add the eggs until the paste falls from the spoon in a heavy ribbon, then bake it hot enough that the moisture inside turns to vapor and lifts the shell before the outside sets. That hollow center isn't decoration. It's the whole point, the little room you made for cream.
This is yōgashi, the Japanese shelf of oven-built sweets, meeting the wagashi shelf without pretending one is the other. The finish is kuromitsu, dark syrup made from kokutō black sugar, and kinako, roasted soybean flour. They bring bitterness, toast, and restraint, so the cream stays clean instead of becoming childish. We plate these in threes, not a tower, with syrup dragged beside the puffs and kinako sifted at the end. Leave it room. A dessert at the end of a meal should invite tea, not applause.
Profiteroles with kuromitsu and kinako are not an Edo-period dish; they belong to yōgashi, the Japanese category of Western-style sweets that grew quickly after the Meiji Restoration of 1868. Choux cream, shū kurīmu, became a familiar bakery sweet in the twentieth century, with Osaka's Hirota selling small cream puffs from 1924. Kuromitsu and kinako come from the wagashi side of the counter: black-sugar syrup poured over anmitsu and warabimochi, and roasted soybean flour used on mochi and other sweets.
Quantity
1/2 cup (120ml)
Quantity
1/2 cup (120ml)
Quantity
8 tablespoons (113g)
cut into pieces
Quantity
1 teaspoon
Quantity
1/2 teaspoon
Quantity
1 cup (125g)
Quantity
4
at room temperature, lightly beaten
Quantity
1/2 cup (90g)
chopped
Quantity
1/4 cup (60ml)
Quantity
1/4 teaspoon
Quantity
1 1/2 cups (360ml)
well chilled
Quantity
2 tablespoons
Quantity
1 pinch
Quantity
1/4 cup (25g)
sifted
Quantity
1 tablespoon
for mixing with the kinako
| Ingredient | Quantity |
|---|---|
| water | 1/2 cup (120ml) |
| whole milk | 1/2 cup (120ml) |
| unsalted buttercut into pieces | 8 tablespoons (113g) |
| granulated sugar | 1 teaspoon |
| fine sea salt | 1/2 teaspoon |
| all-purpose flour | 1 cup (125g) |
| large eggsat room temperature, lightly beaten | 4 |
| kokutō (Okinawan black sugar), or dark muscovado as a stand-inchopped | 1/2 cup (90g) |
| water, for the kuromitsu | 1/4 cup (60ml) |
| fine sea salt, for the kuromitsu | 1/4 teaspoon |
| cold heavy creamwell chilled | 1 1/2 cups (360ml) |
| confectioners' sugar | 2 tablespoons |
| fine sea salt, for the cream | 1 pinch |
| kinako (roasted soybean flour)sifted | 1/4 cup (25g) |
| fine sugar (optional)for mixing with the kinako | 1 tablespoon |
Heat the oven to 425°F (220°C). Line two baking sheets with parchment. If you want very even puffs, mark eighteen circles about 1 1/2 inches across on the underside of the parchment, then turn it over. Choux rises by water vapor, not baking powder, so the oven must be fully hot before the dough goes in. A slow start lets the paste spread before the shell sets.
Put the water, milk, butter, sugar, and salt in a heavy saucepan and bring them to a full boil. Add the flour all at once and stir hard with a wooden spoon until the paste gathers into a smooth ball. Keep cooking over medium heat for 2 to 3 minutes, pressing and turning it, until it pulls cleanly from the pan and leaves a thin film on the bottom. This dries the dough and cooks the starch so it can take the eggs. If you leave it too wet, the puffs spread low and sulk on the tray.
Transfer the hot paste to a mixing bowl and beat it for 1 minute to release some heat. Add the beaten eggs in four additions, beating well after each one. At first the dough will look broken and slippery. Keep going. Stop when it turns glossy and falls from the spoon in a thick V-shaped ribbon. You may not need the last spoonful of egg. Too much egg makes the dough run; too little keeps it heavy. The ribbon tells the truth better than the measuring cup.
Scrape the dough into a piping bag fitted with a plain 1/2-inch tip, or use a sturdy zip-top bag with one corner cut cleanly. Pipe eighteen mounds about 1 1/2 inches wide, leaving space between them. Smooth any sharp peaks with a wet fingertip. A peak browns before the shell is baked, and even mounds finish at the same pace.
Bake for 10 minutes at 425°F (220°C), then lower the oven to 375°F (190°C) without opening the door. Bake 18 to 22 minutes more, until the shells are deep golden, firm, and light for their size. Don't open the oven early. A rush of cool air collapses walls that haven't set yet. Inside each puff, moisture is pushing the paste open; outside, the egg and flour are making the wall that will hold it.
Pierce each shell near the side or bottom with a skewer or the tip of a small knife. Return the tray to the turned-off oven with the door cracked for 5 minutes, then cool the shells completely on a rack. The small hole lets trapped moisture escape, so the shell stays crisp instead of softening from the inside. Cool means cool all the way through, not merely polite to the touch.
While the shells cool, put the kokutō, water, and salt in a small saucepan. Warm gently, stirring until the sugar dissolves, then simmer 3 to 5 minutes until glossy and slightly thicker than maple syrup. It will thicken as it cools. Strain if there are sandy bits and let it cool completely. Don't boil it hard; scorched kokutō turns bitter and will bully the cream.
Whip the cold cream with the confectioners' sugar and pinch of salt until it holds medium-firm peaks. The cream should stand up in the piping bag but still look smooth, with the tip of the peak bending slightly. Overwhipped cream feels heavy and grainy. Loose cream leaks into the shell and steals the hollow you made.
When the shells are completely cool, either cut a small cap from each one or pierce the bottom with the piping tip. Pipe in the cream until each shell feels full but not strained. Fill close to serving time. A warm shell melts the cream, and even a cool filled shell will soften if it waits too long.
Stir the kinako with the optional fine sugar if you want a softer finish. Spoon a thin line or small pool of kuromitsu onto each small plate, set three puffs slightly off-center, and drizzle lightly with more syrup. Sift the kinako over the tops just before serving, because kinako drinks moisture quickly and darkens where it lands on syrup. Serve with tea, and leave the plate room to breathe.
1 serving (about 160g)
Culinary guides, cultural storytelling, and the editorial depth that makes cooking meaningful.
Discover Culinary Explorer
Chef Takumi
Chocolate shu cream is judged twice: first by the hollow shell, then by the custard. Dry the dough properly, choose chocolate with backbone, and the little puff behaves.

Chef Takumi
Start with the lightest choux: tiny unfilled puffs, properly dried over heat, loosened with eggs, and baked until the shell lifts hollow under a coat of pearl sugar.

Chef Takumi
A croquembouche looks like architecture, but it is only small cream puffs, good custard, and caramel handled with respect. Build slowly and the tower will stand.

Chef Takumi
An eclair looks like bakery sleight of hand, but it is only hot dough, patient drying, and cream piped after the shell has cooled. Get the custard right and the rest behaves.