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Created by Chef Lupita
Guerrero's Costa Chica pipián, built on toasted ajonjolí and chile costeño, a deep red-brown sauce from the Afro-Mexican fish kitchens between Marquelia and Cuajinicuilapa.
Guerrero's Costa Chica owns this pipián, especially the Afro-Mexican towns between Marquelia, Ometepec, and Cuajinicuilapa, where the kitchen smells of lagoon fish, comal-charred chiles, and sesame toasted until it turns gold. This is not the green pumpkin seed pipián from central Mexico. This one is costeño: ajonjolí first, chile costeño by name, tomato for body, clove for that small dark perfume that tells you the señora knew when to stop.
The chile costeño matters. It is not guajillo in a different shirt. It has a sharper coastal fruitiness and a heat that sits in the sauce without shouting. The sesame is the body and the memory here, part of the African grammar that also speaks through peanut sauces, encacahuatados, and the way Afro-Mexican cooks made seeds and nuts stretch a pot of fish into food for a table. Mafé traveled one way, Mexican chiles and comales answered back another. That is how kitchens work when people survive history and keep cooking.
I learned a version of this sauce from a woman in Cuajinicuilapa who toasted the ajonjolí in a blackened clay comal and scolded me for looking at the blender before I had smelled the sesame. She was right. The blender can do the grinding, no shame in that, but it cannot fix raw seeds or burned chile. Toast properly, fry the paste in manteca de cerdo, simmer until the sauce coats the spoon. Así se hace y punto.
Serve it over pan-seared robalo, mojarra, shrimp, chicken, roasted squash, or boiled green beans. The sauce is the point. Cada estado, su propia cocina, and this one speaks with the voice of Guerrero's coast.
Quantity
1 cup
picked over
Quantity
8
stemmed and seeded
Quantity
2
stemmed and seeded
| Ingredient | Quantity |
|---|---|
| white sesame seeds (ajonjolí)picked over | 1 cup |
| dried chile costeñostemmed and seeded | 8 |
| dried chile anchostemmed and seeded | 2 |
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