
Chef Lupita
Acambaritas de Acámbaro
Guanajuato's daily bread from Acámbaro, a small glazed roll built on pata, enriched with manteca de cerdo, and baked until the top shines lightly for merienda.
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Oaxaca's dark wheat festival bread, enriched with cocoa, piloncillo, canela, and a whisper of clove. The bread that lives next to a jícara of chocolate de agua at every Valles Centrales panadería.
This is from Oaxaca. From the panaderías of Tlacolula and Zaachila, from the wood-fired ovens in Mitla where the Sánchez women have been pressing dough on the same artesa for three generations. Pan negro is not pan de chocolate. It is not a sweet bread you eat on its own. It is a partner, the dark wheat round that sits next to the jícara of chocolate de agua at breakfast, at velorios, at the late-afternoon merienda when the heat of the valley finally breaks.
The color is the first thing people get wrong. They assume pan negro is dyed dark or loaded with chocolate. Both are mistakes. The depth comes from harina integral, from real Mexican cocoa, from piloncillo cooked into the milk, and from a long slow ferment that lets the flavors marry. A touch of clove, a whisper of anise, canela in the right hand, no more. Oaxacan baking does not announce itself. It builds layer by layer.
The manteca matters. So does the chocolate de mesa, the granulated tablet you grate from places like Mayordomo or La Soledad on Calle Mina, where the smell of roasting cacao fills the entire block. If you cannot get true Oaxacan chocolate, get the best Mexican stone-ground chocolate you can find. American baking chocolate is not the substitute. The texture is wrong and the cinnamon is missing.
My mother did not bake pan negro. She was from Jalisco and her sweet bread was different, lighter, more sugar than spice. I learned this one in Zaachila, from a panadera named Doña Reyna who let me sit on a stool by her artesa for four mornings in a row, watching her hands work and writing in the same notebook my mother left me. She told me the dough is alive and you treat it accordingly. Saber cocinar es saber vivir, and saber hornear is the same thing in slower motion.
Pan negro descends from the colonial Spanish trigo integral tradition crossed with Oaxaca's pre-Columbian cacao culture, a convergence that began in the 16th century when wheat cultivation took hold in the Valles Centrales and Dominican friars established the region's first ovens. Cacao, native to Mesoamerica and ritually significant to the Zapotec and Mixtec long before Spanish contact, was consumed almost exclusively as a beverage; its incorporation into bread is a colonial-era development specific to Oaxaca, where the chocolate de mesa industry, anchored by historic mills like Mayordomo and La Soledad, has supplied home bakers and panaderías for over a century. Pan negro is one of several oaxaqueño breads tied to specific occasions and rituals, distinct from pan de yema (everyday bread) and from the elaborate pan de muerto adorned with the cabecita figure that belongs to Día de Muertos and that is, contrary to widespread misconception, an entirely different bread from Mexico City's pan de muerto.
Quantity
500 grams
Quantity
200 grams
plus more for dusting
Quantity
60 grams
preferably Mexican
Quantity
200 grams
grated or chopped fine
Quantity
10 grams (about 1 tablespoon)
Quantity
10 grams
Quantity
1 1/2 teaspoons
Quantity
1/4 teaspoon
Quantity
1/4 teaspoon
lightly crushed in a molcajete
Quantity
3
at room temperature
Quantity
1
at room temperature
Quantity
120 grams
softened
Quantity
60 grams
softened
Quantity
300 milliliters
warmed to body temperature
Quantity
60 grams
chopped fine
Quantity
1 teaspoon
preferably Papantla
Quantity
for finishing
Quantity
1
for the wash
| Ingredient | Quantity |
|---|---|
| whole wheat flour (harina integral) | 500 grams |
| all-purpose flourplus more for dusting | 200 grams |
| unsweetened cocoa powderpreferably Mexican | 60 grams |
| piloncillograted or chopped fine | 200 grams |
| instant yeast | 10 grams (about 1 tablespoon) |
| fine sea salt | 10 grams |
| canela molida (ground Mexican cinnamon) | 1 1/2 teaspoons |
| ground clove | 1/4 teaspoon |
| anise seedlightly crushed in a molcajete | 1/4 teaspoon |
| large egg yolksat room temperature | 3 |
| whole large eggat room temperature | 1 |
| manteca de cerdo (pork lard)softened | 120 grams |
| unsalted buttersoftened | 60 grams |
| whole milkwarmed to body temperature | 300 milliliters |
| Oaxacan chocolate (chocolate de mesa)chopped fine | 60 grams |
| vanilla extractpreferably Papantla | 1 teaspoon |
| ajonjolí (sesame seeds) (optional) | for finishing |
| egg yolk beaten with 1 tablespoon milkfor the wash | 1 |
Warm the milk in a small saucepan over low heat until it is body temperature, no hotter. Add the grated piloncillo and the chopped Oaxacan chocolate. Stir until both melt completely. The mixture should look like dark coffee with a faint cinnamon perfume already coming off it. Take it off the heat and let it cool until it is warm to the back of your wrist. Hot milk kills yeast. La paciencia es parte de la receta.
In a wide artesa or a large bowl, whisk together the whole wheat flour, all-purpose flour, cocoa, yeast, salt, canela, clove, and crushed anise. The whole wheat is what gives this bread its body and its name. Pan negro is not a chocolate cake. The dark color comes from the wheat, the cocoa, and the piloncillo working together. Sifting is unnecessary. The whisk does the job.
Make a well in the center of the dry ingredients. Pour in the warm piloncillo-chocolate milk, the egg yolks, the whole egg, and the vanilla. Mix with a wooden spoon, drawing the flour in from the edges, until you have a shaggy mass with no dry pockets. The dough will be sticky and dark. That is correct. Cover with a clean cloth and let it rest for 20 minutes. This rest hydrates the wheat and makes the kneading shorter.
Add the softened manteca and butter in three additions, working each one into the dough before adding the next. The dough will look broken and oily after each addition. Keep going. It comes back together. Turn out onto a lightly floured surface and knead for 12 to 15 minutes by hand, or 8 minutes in a stand mixer with the dough hook on medium-low. The finished dough is dark, smooth, slightly tacky to the touch, and pulls away from the bowl in a single piece. La manteca es el sabor and it is also what gives this bread its tender crumb. Skip it and you have a brick.
Form the dough into a ball and place it in a lightly greased bowl. Cover with a damp cloth and let it rise in a warm corner of the kitchen until it has doubled, about 90 minutes to 2 hours. Whole wheat dough rises slowly because the bran weighs it down. Do not rush it with a hot oven or a sunny windowsill. Slow ferment is what develops the flavor.
Punch the dough down gently and turn it out onto a lightly floured surface. Divide into 12 equal pieces, about 90 grams each. Round each piece into a tight ball by cupping your hand over it and rolling on the unfloured part of the table. The friction tightens the surface. Press each ball lightly to flatten into a thick disk about 7 centimeters across. This is the panadería shape, the everyday round, not the elaborate festival figure. For pan negro you want simplicity. The bread itself is the statement.
Arrange the disks on two parchment-lined baking sheets, leaving 5 centimeters between each. Cover loosely with cloth and let them rise until visibly puffed and almost doubled, about 45 minutes to 1 hour. Press a finger gently into the side of one. The indentation should spring back slowly, not all the way. That is your signal that the dough is ready for the oven.
Heat the oven to 180°C (350°F) while the panes finish rising. Brush each one gently with the egg wash and scatter ajonjolí across the tops. Bake for 28 to 35 minutes, rotating the trays halfway through, until the panes are very dark, the surface looks dry rather than wet, and the bottom sounds hollow when you tap it. Pan negro is supposed to be dark. Do not pull them early thinking they are burning. The cocoa and piloncillo make the surface look black before it actually is. Trust the timer and the hollow tap. Asi se hace y punto.
Cool the panes on a wire rack for at least 30 minutes before tearing into one. The crumb sets as it cools and slicing too early gives you a gummy interior. Serve at room temperature with a jícara of chocolate de agua, frothed with a molinillo. The bread is meant to be torn, dunked, and eaten with hands that do not mind getting chocolate on them. That is how Oaxaca eats it. Recetas probadas y garantizadas.
1 serving (about 110g)
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