
Chef Lupita
Cocotazo Yucateco
Yucatán's round salty merienda roll, enriched with egg yolk, butter, and manteca, crowned with four chuchulucos in a tight square. Mérida's chopping bread, the one you tear into beside a café de olla.
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Yucatán's Hanal Pixán figure breads, shaped into muñecas, iguanas, palomas, and perritos, scented with anise and pimienta gorda, baked for the children's altar in Yaxcabá and Hocabá.
This bread belongs to Yucatán. Not to central Mexico, not to the pan de muerto with orange-blossom glaze and crossed bones you see in every Mexico City panadería on November 2nd. Xtuchitos come from the Maya villages of the Peninsula, from Yaxcabá, Hocabá, Sotuta, the small towns south of Mérida where Hanal Pixán is still observed the way the abuelas remember it.
The word xtuchitos comes from the Maya, the diminutive ending tying the bread to children, because these figures are baked for the altar of the angelitos, the souls of the little ones who return on October 31st. The shapes are not random. A muñeca for the girls. An iguana, a paloma, a perrito for the boys, the animals they would have played with had they lived. In some houses, a small cross of dough is laid on top. The figures sit on the altar beside cups of atole, small jícaras of chocolate, and toys made of palm.
The seasoning is what makes this bread Yucatecan. Anise and allspice. Pimienta gorda, the green-skinned allspice tree that grows wild across the Peninsula, is the spice that anchors recados, the spice you smell walking through the Mercado Lucas de Gálvez in Mérida. The orange-zest pan de muerto from the center of the country is a different bread. This one tastes of the Peninsula. Manteca, not butter. Naranja agria, not sweet orange. And the figures, shaped by hand, are a Maya gesture, not a Spanish one.
My mother never made xtuchitos. She was from Jalisco and she made pan de muerto the central-Mexican way. The recipe in my notebook came from doña Reyna in Yaxcabá, who let me sit in her kitchen for three days in October of 2011 while she shaped figures with her granddaughter. She told me: the dough is the same dough women have made here for generations, but the shapes are what carry the prayer. Saber cocinar es saber vivir.
Hanal Pixán, literally 'food of the souls' in Yucatec Maya, is the Peninsula's Day of the Dead observance and predates the Catholic All Saints' and All Souls' Days that were grafted onto it in the colonial period; it retains pre-Hispanic structure including the three-day division between the altar for children (October 31), the altar for adults (November 1), and the communal feast (November 2). Xtuchitos and related figure breads developed in the colonial Yucatecan panadería tradition as wheat replaced or supplemented the older Maya altar offerings of toasted corn cakes and tamales, with the figural shaping preserving an indigenous logic of representational offering applied to a Spanish ingredient. The use of pimienta gorda (Pimenta dioica), an allspice tree native to the Yucatán and the Caribbean, distinguishes Peninsular ritual breads from the orange-and-anise pan de muerto of central Mexico and is one of the clearest markers of how regional ingredients shape regional Catholicism.
Quantity
500 grams (about 4 cups)
plus more for shaping
Quantity
100 grams (1/2 cup)
Quantity
10 grams (2 teaspoons)
Quantity
7 grams (1 packet, 2 1/4 teaspoons)
Quantity
2 teaspoons
Quantity
1 teaspoon
freshly ground
Quantity
1/2 teaspoon
Quantity
200 milliliters
warmed to body temperature
Quantity
3
at room temperature
Quantity
120 grams (1/2 cup plus 1 tablespoon)
soft but not melted
Quantity
1 tablespoon grated
or zest of 1 regular orange plus 1 teaspoon lime zest
Quantity
1 large
beaten with 1 tablespoon whole milk, for glaze
Quantity
small amount
diluted in 1 teaspoon water, for painting features
Quantity
as needed
for eyes and decoration
Quantity
as needed
for scattering
| Ingredient | Quantity |
|---|---|
| all-purpose flourplus more for shaping | 500 grams (about 4 cups) |
| granulated sugar | 100 grams (1/2 cup) |
| fine sea salt | 10 grams (2 teaspoons) |
| active dry yeast | 7 grams (1 packet, 2 1/4 teaspoons) |
| whole anise seeds (anís en grano) | 2 teaspoons |
| ground allspice (pimienta gorda)freshly ground | 1 teaspoon |
| ground canela mexicana (true cinnamon) | 1/2 teaspoon |
| whole milkwarmed to body temperature | 200 milliliters |
| large eggsat room temperature | 3 |
| manteca de cerdo (pork lard)soft but not melted | 120 grams (1/2 cup plus 1 tablespoon) |
| naranja agria zest (sour orange)or zest of 1 regular orange plus 1 teaspoon lime zest | 1 tablespoon grated |
| egg yolkbeaten with 1 tablespoon whole milk, for glaze | 1 large |
| red food coloring paste (optional)diluted in 1 teaspoon water, for painting features | small amount |
| whole anise seeds (for decoration) (optional)for eyes and decoration | as needed |
| sesame seeds (ajonjolí) (optional)for scattering | as needed |
Place the anise seeds in a small dry skillet over medium-low heat. Toast for about a minute, shaking the pan, until the seeds smell sweet and faintly licorice. Do not let them darken. Pull half the seeds aside for shaping later. Grind the rest in a molcajete or spice grinder along with the allspice and the canela. Pimienta gorda is the Yucatecan name for allspice and it is the spice that makes this bread taste like the Peninsula and not like central Mexico. Grind it fresh. The pre-ground tins at the supermarket are old and tired.
Warm the milk to body temperature, no hotter than the inside of your wrist. Stir in a teaspoon of the sugar and all of the yeast. Set it aside for ten minutes. It should foam and smell like fresh bread. If nothing happens, your yeast is dead. Throw it out and start again with new yeast. No me vengas con atajos. A bread that does not rise is not a bread.
In a large bowl, whisk together the flour, the rest of the sugar, the salt, the ground spice mixture, and the naranja agria zest. Make a well in the center. Pour in the foamy milk-yeast, the three whole eggs, and the soft lard. Use your hand or a wooden spoon to draw the flour in from the edges until a shaggy dough forms. The lard goes in cold-soft, never melted. Melted lard coats the flour and stops the gluten from working.
Turn the dough onto a lightly floured wooden table. Knead for ten to twelve minutes, pushing with the heel of your hand and folding the dough back on itself. It will be sticky for the first five minutes. Resist the urge to add flour. The dough is enriched with lard and eggs and it will tighten as the gluten develops. You are finished when the dough is smooth, elastic, and pulls back gently when stretched. La cocina no es decoración, es trabajo.
Place the dough in a lightly greased bowl, turn it once to coat, and cover with a cotton servilleta. Set it somewhere warm, the top of the refrigerator works well in a Mérida kitchen, and let it rise until doubled, about an hour and a half. The Peninsula is humid and the dough rises fast. In a cooler kitchen, give it two hours. It is ready when you press a finger into it and the dent holds.
Punch the dough down gently and turn it out onto a lightly floured surface. Divide it into 16 to 20 equal pieces, about 60 grams each. Cover the pieces you are not working with so they do not dry out. Now shape. Xtuchitos are children's bread, made for the altar of the angelitos on October 31st, and the figures should feel like the work of a child's hand: muñecas (little people) with arms and legs pinched out from a single ball, iguanas with long curving tails, palomas with a beak and folded wings, perritos with four short legs. Some women in Hocabá make a small round ball topped with a cross. Each figure should be no bigger than your palm. They puff in the oven, so leave room.
Arrange the shaped figures on parchment-lined baking sheets, leaving two inches between each one. Cover loosely with the cotton servilleta and let them rise again for 45 minutes to an hour. They will not double this time. They will look puffed and relaxed. Press lightly with a finger near the base and the dough should spring back slowly, leaving a faint mark.
Heat the oven to 180°C (350°F). Brush each figure gently with the egg yolk and milk glaze. Be patient on the limbs and tails, they are fragile. Where tradition calls for it, dab the diluted red food coloring onto the cheeks, the lips, or in a small cross on the chest. The red is symbolic, the color of life painted onto the bread for the souls of children. Scatter a few sesame seeds across the larger figures if you like. The doves and the dogs in Hocabá often go bare.
Bake for 18 to 22 minutes, rotating the trays once halfway through. The figures are done when the tops are deeply golden, the bases sound hollow when tapped, and the kitchen smells of anise and allspice. Smaller figures finish first, pull them off the tray as they color. Cool on a wire rack or, in the old way, on a clean palm petate laid out on the table. Eat them with hot chocolate or with atole nuevo the morning of November 1st, when the angelitos come.
1 serving (about 62g)
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Chef Lupita
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