
Chef Lupita
Ante de Coco Conventual
Campeche's colonial coconut ante, layered with syrup-soaked bizcocho, slow-thickened coconut milk, almendra pelada, yemas de huevo, and cinnamon, the tropical convent cousin of Sor Juana's old ante tradition.
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Puebla's convent sweet of toasted pepitas, ground fine with cane sugar almíbar and pressed into pale green rounds, the criollo answer to Spanish almond paste from Calle de los Dulces.
Puebla, in the Angelópolis region around Puebla de los Ángeles, is where this mazapán belongs. Walk Calle 6 Oriente, the Calle de los Dulces, and you see the city explaining itself: talavera on the walls, convent sweets in paper, sugar work that came from cloisters and stayed because poblano hands made it their own.
The defining ingredient is pepita de calabaza verde, the hulled pumpkin seed of the milpa. Spanish almond paste arrived with almonds, yes, but almonds were expensive and foreign to this soil. Pepitas were here, tied to squash, corn, beans, and the kitchen economy of women who knew not to waste what the field gave them. In Puebla, the seed became candy, pale green, pressed hard, perfumed with canela and a little agua de azahar.
The technique is quiet and exact. Toast the pepitas without browning them. Grind them fine without turning them into butter. Cook the almíbar to the point where it forms a soft ball and bind the paste while it is still obedient. I learned this from a dulcera in Puebla who tapped the mold on the table and told me that if it fell apart, I had been timid. She was right.
My mother did not make this in her Jalisco kitchen. In her notebook, on a Puebla page, she wrote only three words: no dorar pepita. Do not brown the seed. That is the recipe hiding inside the recipe. Saber cocinar es saber vivir.
Mazapán entered New Spain through the Spanish almond-paste tradition associated with Toledo, but Puebla's convent kitchens adapted the form to colonial sugar work and local seeds after the 16th century. The Clarisas of the Convento de Santa Clara in Puebla are linked to several poblano sweets, and the city's Dominican and Conceptionist houses also preserved confitería techniques in manuscript recipe books. By the 19th century, Calle 6 Oriente had become known as Calle de los Dulces because lay dulcerías sold sweets with convent lineage, including mazapanes, tortitas de Santa Clara, and camotes.
Quantity
2 cups (about 10 ounces)
picked over for shell fragments
Quantity
1 1/4 cups
divided
Quantity
1/3 cup
Quantity
1 small stick, about 2 inches
Quantity
1/8 teaspoon
Quantity
1 teaspoon
Quantity
2 tablespoons
for dusting molds and hands
Quantity
2 tablespoons
for pressing into the tops
| Ingredient | Quantity |
|---|---|
| raw hulled pepita de calabaza verdepicked over for shell fragments | 2 cups (about 10 ounces) |
| granulated cane sugardivided | 1 1/4 cups |
| water | 1/3 cup |
| canela mexicana (Ceylon cinnamon) | 1 small stick, about 2 inches |
| fine sea salt | 1/8 teaspoon |
| agua de azahar (orange blossom water) (optional) | 1 teaspoon |
| azúcar glass (powdered sugar)for dusting molds and hands | 2 tablespoons |
| whole toasted pepitas de calabaza (optional)for pressing into the tops | 2 tablespoons |
Pick through the pepitas with your fingers and remove any bits of shell. Good pepita de calabaza verde should smell sweet and nutty before it ever touches the comal. If it smells stale, oily, or bitter, do not use it. You can have perfect technique and old seeds will still give you a bad mazapán.
Heat a dry comal or heavy skillet over medium-low heat. Add the pepitas and stir constantly for 4 to 6 minutes, until they puff slightly and smell warm and nutty. Keep them green. Do not brown them. Browned pepita tastes harsh and makes a muddy-looking candy. Spread them on a tray and let them cool completely.
Measure out 1/4 cup of the sugar and pulse it with the cooled pepitas in a food processor or spice grinder. Work in short bursts. You want a fine, sandy meal that holds together when pinched, not pepita butter. The sugar catches the oil and keeps the grind from turning greasy. On a metate this is slower, yes, and the texture is beautiful. In a machine, pay attention.
Put the remaining 1 cup sugar, water, and canela in a small copper cazo or heavy saucepan. Cook over medium heat, stirring only until the sugar dissolves. After that, leave it alone and swirl the pan if needed. Cook to 235F to 238F, the punto de bola suave. Without a thermometer, drop a little syrup into cold water; it should gather into a soft ball that flattens between your fingers. Remove the canela. Stir in the salt and the agua de azahar if using.
Lower the heat to the smallest flame. Add the ground pepita all at once and stir with a wooden spoon for 3 to 5 minutes. The mixture will look loose, then thick, then it will pull from the sides of the pan in a soft mass. Stop there. Overcook it and the oil separates. Undercook it and the rounds slump instead of holding their shape.
Dust a wooden mazapán mold, small ring cutter, or clean work surface lightly with azúcar glass. When the paste is warm enough to handle, knead it for 20 seconds, just until smooth. Pinch off walnut-sized pieces and press them firmly into 1/2-inch-thick rounds. Pack hard. A timid hand makes a candy that crumbles before it reaches the talavera platter.
Set the mazapanes on parchment and let them stand at room temperature for at least 1 hour, until the surface turns matte and the rounds lift cleanly. Press a whole toasted pepita into the top while still warm if you reserved them. Wrap each candy in wax paper or pastel papel de china if you are serving them the Puebla way. Store airtight in a cool, dry place.
1 serving (about 23g)
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