
Chef Lupita
Arroz con Leche Norteño
Northern Mexico's rice pudding, slow-simmered with piloncillo and canela then crowned with butter-toasted Sonoran pecans. Richer than the central version and built for ranch tables and long cold mornings.
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Sinaloa's slow-cooked Ataulfo mango paste, stirred in a copper cazo until firm enough to slice, served the way they do it in Todos Santos with a slab of salty queso de rancho.
Mangate is from Sinaloa. Specifically from the small towns of the southern coast, El Rosario, Escuinapa, and above all Todos Santos, where the August mango festival fills the plaza with the smell of fruit cooking down in copper cazos and where mangate is sold by the kilo wrapped in waxed paper.
The mango is the dish. Ataulfo, also called manila, small and yellow and pit-thin, grown in the orchards that climb the foothills from Mazatlan south to the Nayarit border. No other mango works. The big red-and-green mangoes shipped to northern supermarkets are bred for travel and shelf life, not flavor, and they will give you a watery, fibrous paste that never sets properly. If the Ataulfos at your mercado are still hard and green-yellow, wait a week. Mexican cooks have always cooked with what the market is selling that day, and out of season the only honest answer is to make something else.
My mother kept a piece of mangate wrapped in waxed paper at the back of the cupboard for emergencies, the way other people keep chocolate. She would slice off a thin piece, lay it on top of a square of queso fresco, and hand it to me without a word. That is how this sweet is meant to be eaten. The mangate alone is too much. The cheese alone is too plain. Together they make the kind of contrast that Mexican confectionery has always understood: dulce con salado, sweet against salty, neither one apologizing for what it is.
Cada estado, su propia cocina. This is Sinaloa's.
The mango is not native to Mexico. It arrived in the Pacific port of Acapulco aboard the Manila Galleon during the 16th and 17th centuries, which is why the Ataulfo variety still carries the old name 'mango de Manila' in many Mexican households. Sinaloa became the country's largest mango-producing state by the late 19th century, and the Ataulfo cultivar itself, named for an orchardist in Chiapas, was formally registered as a Mexican variety in 2003 with denomination-of-origin status, the first fruit in Mexico to receive that protection. Slow-cooked fruit pastes, ate de membrillo from Michoacan, ate de guayaba from Aguascalientes, mangate from Sinaloa, descend from the Iberian tradition of marmelada brought by Spanish nuns who adapted convent confectionery techniques to the unfamiliar tropical fruits they found in New Spain.
Quantity
8 (about 4 pounds whole)
to yield 4 cups pulp
Quantity
2 1/2 cups
Quantity
1/4 cup (about 3 limes)
Quantity
1 strip, about 2 inches long
Quantity
1 small
Quantity
1 pinch
Quantity
about 1/2 cup
Quantity
for serving
| Ingredient | Quantity |
|---|---|
| ripe Ataulfo mangoesto yield 4 cups pulp | 8 (about 4 pounds whole) |
| granulated sugar | 2 1/2 cups |
| fresh lime juice | 1/4 cup (about 3 limes) |
| lime zest | 1 strip, about 2 inches long |
| cinnamon stick (canela de Ceylan) (optional) | 1 small |
| fine sea salt | 1 pinch |
| granulated sugar, for coating (optional) | about 1/2 cup |
| queso de rancho or queso fresco (optional) | for serving |
Use Ataulfo mangoes, the small yellow ones, also called manila or mango de Manila. They are the only mango that gives mangate its true color, that deep marigold-orange, and the floral sweetness that does not turn cloying when you cook the sugar in. The big red-and-green mangoes from the supermarket are fibrous and watery. They will give you a sad, stringy paste. No me vengas con atajos. The mango should feel heavy for its size, give slightly under the thumb, and smell like itself even before you cut it. If the mango is not ready, the mangate is not ready.
Stand each mango on end and slice down either side of the flat pit. Score the flesh of each cheek in a crosshatch without cutting through the skin, then invert and slice the cubes off into a bowl. Trim the remaining flesh from around the pit. You want 4 packed cups of pulp. Pass the pulp through a food mill or push it through a fine-mesh strainer with the back of a wooden spoon. The mill removes the fibers that would otherwise stay tangled in the paste. The paste must be smooth or it will not slice clean when it sets.
Transfer the mango puree to a heavy-bottomed copper cazo or a wide enameled cast iron pot. A wide pot, not a tall one. Evaporation is the whole job here, and a tall pot fights you the entire afternoon. Add the sugar, lime juice, lime zest, cinnamon stick if using, and the pinch of salt. Stir with a wooden spoon to dissolve the sugar before any heat goes under the pot. The salt and the lime are not decoration. The salt sharpens the mango. The lime keeps the color bright and the paste from turning into pure candy.
Set the cazo over medium-low heat. Bring it to a steady, lazy bubble and start stirring. Mangate is a stirring dish. You cannot walk away. The sugar wants to scorch on the bottom of the pot and once it scorches, the whole batch tastes burned. There is no recovering from it later. Use a wooden spoon and scrape the bottom and the corners every minute or so for the first hour. The puree will deepen from bright yellow to amber to a darker marigold orange as the water cooks out and the sugar concentrates.
After about ninety minutes, the paste will pull away from the sides of the pot in a thick sheet when you drag the spoon across the bottom. Drag the spoon down the center. If the path you cleared holds its shape for a full second before the paste closes back over it, you are nearly there. Drop a teaspoon of the paste onto a cold plate and let it cool for one minute. Push it with your finger. It should be firm enough to wrinkle and hold a fingerprint, not liquid. If it spreads, keep cooking and test again in ten minutes. The senoras in Todos Santos test it by eye. You will too, after the third batch.
Line an 8-inch square baking pan with parchment, leaving an overhang on two sides. Lightly oil the parchment with a neutral oil. Fish out the cinnamon stick and the lime zest and discard them. Pour the hot paste into the pan and smooth the top with an offset spatula or the back of a wet spoon. Tap the pan against the counter twice to settle it. Let it cool on the counter for one hour, then leave it uncovered overnight at room temperature. Mangate sets by drying. A refrigerator traps the moisture and you will get a sticky paste that never firms. The kitchen counter is correct. Asi se hace y punto.
Once the mangate is firm enough that a fingertip pressed into the surface leaves only a faint mark, lift the slab out by the parchment. Cut it into squares, rectangles, or diamonds with a long sharp knife dipped in hot water and dried between cuts. Toss the pieces in granulated sugar to coat all sides, or leave them plain if you prefer a softer surface. Store layered between parchment in a tin or glass jar. They keep for three weeks at room temperature. Serve alongside slabs of queso de rancho or queso fresco. The salty cheese against the candied mango is the whole point. Saber cocinar es saber vivir.
1 serving (about 35g)
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