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Created by Chef Margarida
The clam dish that made a poet immortal, nothing but garlic, wine, and coentros meeting the brine of the sea. Ten minutes from pan to table. Bread mandatory.
Some dishes don't need explaining. You put a pan of amêijoas à Bulhão Pato on the table and everyone reaches for bread before you've finished setting it down. The broth is the thing. That garlicky, wine-bright, herb-flecked broth that pools at the bottom of the pan and demands to be mopped up with torn chunks of crusty pão.
I didn't learn this dish from Avó Leonor. She was Alentejana, landlocked, more likely to make açorda than cook seafood. But the grandmothers I've documented along the coast from Setúbal to Cascais all make it the same way. Fast heat, good wine, don't touch the clams once they're in the pan. "Deixa-os em paz," one told me. Leave them in peace. The moment they open, they're done. A second longer and you've made them into rubber.
This is tascas food, the kind of cooking that happens in the small family-run restaurants of Lisbon where the menu is whatever came off the boats that morning. Raimundo António de Bulhão Pato, the poet who gave this dish its name, understood that the best food needs no poetry. Just good ingredients and the restraint not to ruin them.
At Mesa da Avó, we serve this dish in the pan it was cooked in, still bubbling, with a basket of bread and a bottle of cold vinho verde. That's the complete experience. Pão, azeite, vinho, sempre.
Quantity
1 kg
scrubbed and purged
Quantity
1/4 cup
Quantity
6 cloves
thinly sliced
| Ingredient | Quantity |
|---|---|
| fresh clams (amêijoas)scrubbed and purged | 1 kg |
| extra virgin olive oil (azeite) | 1/4 cup |
| garlicthinly sliced | 6 cloves |
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